Showing posts with label corn dollies. Show all posts
Showing posts with label corn dollies. Show all posts

Sunday, September 21, 2008

The 'bride of the corn'

I’d like to add a bit to Rosie’s post on corn-dollies, with some information about a very ancient sort from Egypt, known as arūset el-kamh ‘the bride of the corn’. This may, perhaps, be the most ancient sort of corn-dolly known, and – happily – they are still made, in a thousands year old tradition, to the same ancient design.

I bought this example a couple of years ago at Abydos, from a woman selling them just outside the temple. How I wish I’d bought a few more, now, and encouraged a true, surviving, Pharaonic tradition!

Well, Goddess willing, I shall one day go back, and if I can, shall put that right!

(Abydos, by the way, is easily reachable from Luxor by train; maybe an option for the free day that many tours offer. The ever-helpful Tourist-Police will spot you, and help you to get from station to temple, and back again).

The best information about ‘brides of the corn’ comes from that great classic of Egyptian life during the last century, Winifred Blackman’s The Fellahin of Upper Egypt, first published 1927, and now re-printed by the American University in Cairo Press, 2000. (It is a fascinating book, and really is a must-have for your Egypt shelf).

I can’t do better than to quote at length from the book:

‘Before any of the corn is cut some of the villagers go into the fields and pluck the finest ears by hand. These are plaited into a special form, and this object, called the ‘bride of the corn’ (arūset el-kamh) is used as a charm. One may be suspended over the house-door as an antidote to the evil eye; another may be hung up in the room containing the stores of food, as a charm to ensure abundance. Many tradesmen hand such objects in their shop-windows, believing that this will bring them plenty of customers.

Again, in some parts of Egypt, the ‘bride of the corn’ is placed on the heaps of grain after the winnowing is completed, as a charm to secure a good harvest the following year. … The ‘bride’ may be left hanging until it is replaced at the next harvest, or again, it may be allowed to remain in its place until it falls to pieces.
(pp. 171-172)

This photo from the book illustrate ‘brides’ made in the 1920s; as you can see, they are perfectly identical to my modern one.

However, in the history of ‘brides of the corn’, a mere 81 years is less than the blink of an eye!

Winifred’s brother, Aylward Manley Blackman, was a famous Egyptologist, and information gained from him encouraged her write a chapter of her book called ‘Ancient Egyptian Analogies’, which showed how ancient many of the customs, and traditions, etc., that she noted were. After all, every nation is founded on its past.

So another quote, and two more photos from the book:


‘The object now known as arūset el-kamh ‘the bride of the corn’ is depicted in several Theban tomb-chapels of the 18th Dynasty, and can possibly be traced back to the Old Kingdom in a different form.


According to several ancient representations of winnowing this object was placed on the winnowing-floor while the winnowers were at work and that an offering was laid before it consisting either of a vessel of water and dishes containing cakes, etc., or of a bowl of water only.’
(pp. 307-308)

So as you can see from these photos, the ‘bride of the corn’ from Abydos is a design that is around 3,500 years old! Similar ‘brides’ would have in fact been familiar to the ancient worshippers at Abydos.

It was one of those moments, in fact, that you sometimes experience in Egypt, where millennia fall away in an instant…

Thursday, September 18, 2008

Corn Dollies.


Isn’t it funny how one train of thought leads to another it’s as if the Goddess is taking us on some journey of unfolding so that we may become enlightened in some way that She wishes for us.This month I have been interested in learning all about wire wrapping & weaving as part of my current handicraft obsession. I’m intent on making woven/wrapped semi precious & natural stones into lovely jewellery which led me to discover some interesting facts about corn dollies.
I read with interest that whatever you can do with weaving in basketry can also be applied to working with wire for jewellery making.
I had it in mind to practice with copper wire first until I get the hang of the various weaving techniques & then use sterling silver and gold at some future point for my gemstone pieces.Then you know how sometimes you wake up with mad harebrained idea’s about trying to apply some new technique to an old problem (a bit like a Galileo ‘Eureka’ moment without the bath)Well this happened a couple of weeks ago when I suddenly awoke with the compulsion to look at how ‘corn dollies’ were constructed & somehow apply the same weaving principle to wire.Corn Dollies here in England can be quite elaborate affairs, from my folklore studies I learned that every region throughout the UK (and further a field also) has its own particular signature corn dolly, evident by the design itself & colour of the decorative ribbons attached. No deviation was ever made from the characteristics of the corn dollie construction of that particular village.
All of these old customs were particularly significant to this time of the year – September -Time of the Harvest.
Corn Dollies were sacred offering made to honour the Goddess in her spirit of Bountiful Mother. Both Demeter and Ceres are examples of more ancient archetypal corn Mothers.
Many, many traditions surround the corn dollies themselves; probably the most important for the farmer & community would be that of ‘giving thanks’ for a plentiful harvest of the all important corn. When the final wheat sheaf had been cut it was from this that one big dolly called ‘The Kern baby’ be made, sometimes they were built into huge either giant size effigies or at least life size and decorated with white clothes and brightly coloured ribbons, these represented the next Springtime and were kept until then & usually ploughed back into the field to ensure another plentiful harvest.Smaller corn dollies were made for the individual homes to ensure a good year ahead like a lucky charm they were hung up in the home.Another quaint custom of countryside youth was that of ‘Countryman's Favours’ these were small plaited corn motifs such as hearts, that were made by a young gentleman or lady and given to a member of the opposite sex to wear over the heart. Which indicated that they were definitely interested and noticeably so if the favour be worn.Incidently the word ‘Doll’ derives from the ancient Greek word ‘eidolon’ translated as ‘idol’.With all my corn dollie inspiration gathered I think I shall be making some little plaited wire versions of my own at the very least I shall be having a go at making a ‘Bridget’s Cross’.
Happy Harvest time everyone.
by Rosie Weaver
http://witchcrafter.blogspot.com/



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